Jirô taniguchi manga

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A visit to the Louvre inspired him for the graphic novel 'Les Gardiens du Louvre' (Futuropolis, 2014). 

In 2000, an asteroid was named after the artist. Request to have it removed.



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"Bocchan" no Jidai

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Manga, 1987

782198700000000016.95

6.95

 

782 Members

Adidas Manga Fever

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Manga, 2002

1758200205140000025.83

5.83

 

1,758 Members

Ao no Senshi

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Manga, 1980

840198010140000036.43

6.43

 

840 Members

Aruku Hito

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Manga, 1990

10839199000000000047.17

7.17

 

10,839 Members

Benkei in New York

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Manga, 1991

3523199100000000056.62

6.62

 

3,523 Members

Chichi no Koyomi

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Manga, 1994

8263199404090000068.03

8.03

 

8,263 Members

Chikyuu Hyoukai Jiki

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Manga, 1986

931198611250000076.48

6.48

 

931 Members

Chou Sentouken Blanca

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Manga, 1984

684198400000000087.13

7.13

 

684 Members

Enemigo

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Manga, 1984

656198400000000096.53

6.53

 

656 Members

Furari.

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Manga, 2011

1029201101130000106.88

6.88

 

1,029 Members

Fuyu no Doubutsuen

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Manga, 2005

2491200500000000117.49

7.49

 

2,491 Members

Garouden

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Manga, 1989

1311198902000000126.35

6.35

 

1,311 Members

Hare Yuku Sora

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Manga, 2005

1631200512190000137.66

7.66

 

1,631 Members

Haruka na Machi e

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Manga, 1998

23627199804100000147.95

7.95

 

23,627 Members

Hotel Harbour View

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Manga, 1985

2447198500000000156.18

6.18

 

2,447 Members

Icaro

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Manga, 1996

2431199600000000166.07

6.07

 

2,431 Members

Inu wo Kau

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Manga, 1991

2638199100000000177.27

7.27

 

2,638 Members

Japon

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Manga, 2005

1532200512200000186.58

6.58

 

1,532 Members

Jikenya Kagyou

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Manga, 1979

398197912000000190.00

N/A

 

398 Members

K

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Manga, 1988

1130198805000000206.98

6.98

 

1,130 Members

Kami no Inu

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Manga, 1995

380199507100000210.00

N/A

 

380 Members

Kamigami no Itadaki

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Manga, 2000

18707200002010000228.25

8.25

 

18,707 Members

Keyaki no Ki

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Manga, 1993

1470199304240000237.48

7.48

 

1,470 Members

Kodoku no Gourmet

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Manga, 1994

4531199406000000247.47

7.47

 

4,531 Members

Kouya yori

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Manga, 1977

17197710200000250.00

N/A

 

17 Members

Mahou no Yama

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Manga, 2005

951200512010000266.43

6.43

 

951 Members

Ryouken Tantei

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Manga, 2011

402201103020000270.00

N/A

 

402 Members

Samurai Non Grata

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Manga, 1990

25199006140000280.00

N/A

 

25 Members

Sanpo Mono

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Manga, 2003

1026200300000000296.64

6.64

 

1,026 Members

Sennen no Tsubasa, Hyakunen no Yume: les Gardiens du Louvre

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Manga, 2014

1593201409200000307.03

7.03

 

1,593 Members

Sensei no Kaban

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Manga, 2008

1195200811040000317.43

7.43

 

1,195 Members

Seton

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Manga, 2005

657200500000000327.32

7.32

 

657 Members

Shin Jikenya Kagyou

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Manga, 1982

222198200000000330.00

N/A

 

222 Members

Sousakusha

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Manga, 1999

1978199904240000347.18

7.18

 

1,978 Members

Ten no Taka

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Manga, 2002

1176200209000000357.06

7.06

 

1,176 Members

Tomoji

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Manga, 2012

782201200000000366.41

6.41

 

782 Members

Toudo no Tabibito

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Manga, 1994

1681199403280000377.23

7.23

 

1,681 Members

Tsuki no Yoru

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One-shot, 1993

729199300000000386.17

6.17

 

729 Members

Yagyuu Hichou: Kaze no Shou

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Manga, 1992

1657199202250000396.94

6.94

 

1,657 Members

Is there work here that shouldn't be?

It is probably for that reason that Sekikawa and Taniguchi do not use the term “gensaku” (script) but “kyōsaku” (co-creation). Taniguchi is just one of many artists during this time that appeared as a new face among the postwar generation who drew seinen (young male) gekiga.

When you look at works like his debut piece “Song of the Bird Never Sung” (“Koe ni narakatta tori no uta”, 1970), or “Parched Room” (“Kareta heya”, 1971), both of which were put on display at a Taniguchi Jirō art exhibition, you can see his distinctive pictorial style that could express such great detail, as seen in the emphasis he put on the distortions in the folds and wrinkles in clothes and such.

It’s only after I drew that series that my skills henceforth developed in how I staged characters and just overall changes in my technique, that all would allow me to produce The Walking Man.

(Quoted in Tim Lehmann’s Manga Masters: Twelve Japanese Craftsmen, [Manga masutā: 12nin no Nihon no manga shokunin tachi, published in English by Harper Design as Manga: Masters of the Art], Bijutsu Shuppan Sha, 2005, p.

198)

We can roughly call the period from Taniguchi’s debut in 1970 through the mid-1980s as the “Taniguchi Jirō Gekiga Years”. Jiro Taniguchi passed away on 11 February 2017, at the age of 69.


'Icaro'. 

Artwork © 2017 Jiro Tanighuchi

Website © 1994-2025 Lambiek

Last updated: 2025-12-09

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He said he thought what he actually told Sekikawa was that Taniguchi’s works often show a great love of animals and his plots were calm and gentle, so “if we have him pair up with a person who really knows storytelling, then [Taniguchi] will surely get better.” Depending on how you read it, it can sound like they thought that if they tried to make “Action Gekiga” [with Taniguchi], it might really sell.

Killer Dog! (Tobe!! Such illustrations are based on his goal to depict scenery that would tell the story, which was all quite rare in the Japanese manga scene. The publisher apparently tried to use this paperback to make readers acknowledge the genre of “Action Gekiga”.

By the way, in the greater context of Taniguchi’s works during this period, we see the appearance of mountains, with his finely detailed drawing style that certainly shows the influence of BD and Moebius.

This period of time is when Taniguchi and Sekikawa were both in their late 20s.

In the end, Taniguchi and Sekikawa gained commercial value as authors of what would become the “Action Gekiga” genre. From very early on, he developed a taste for BD [bandes dessinées, French and Belgian comics], and that side of him can be seen in the early fermentation of such a revolutionary style and attitude of manga expression, and a drawing style previously unseen in Japan.

Then, it came to describe (3) the period from the late 1960s through the 1970s - a period during which, while gekiga was becoming the flagship for the anti-Tezuka Osamu style of manga in Weekly Shōnen Magazine, there was also a shift in manga expression towards a more excessive style called “seinen gekiga”, which was often used to describe the postwar generation of artists like Miyaya Kazuhiko and others.

Dutch-language version.

Born in Tottori, Jiro Taniguchi began to work as assistant of the mangaka Kyota Ishikawa. 2-5 of a supplemental insert to Shūeisha's debutante volume collecting The Summit of the Gods.

-Jon Holt & Teppei Fukuda

* * *

The lineage of Taniguchi Jirō’s works can be divided into two main parts, with his series The Times of Botchan (“Bōtchan” no jidai, 1987-1996) as a middle boundary zone.

However, what Fujiwara actually said may have been quite different. I believe that he had the amazing good luck to have met and have been teamed up with Sekikawa in the early phase of his career.

* * *

Written byNatsume Fusanosuke

Posted January 19, 2023

TopicsJiro Taniguchi, Kaiji Kawaguchi, Katsuhiro Otomo, Kazuhiko Miyaya, Manga, Miyaya Kazuhiko, Natsuo Sekikawa, Sanpei Shirato, tadao tsuge, Yoshiharu Tsuge, Yoshihiro Tatsumi

Taniguchi, Jiro


Given name: ジロー

Family name: 谷口

Alternate names: Jirou Taniguchi

Birthday: Aug 14, 1947

Website:

Member Favorites: 780

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He was born in Tottori.

Died: February 11, 2017

His stories deal with universal themes as the beauty of nature, devotion to family, and/or return to childhood.

No voice acting roles have been added to this person.

We can rather take this change as something Sekikawa learned from Taniguchi’s development.

It truly seems that the relationship the two of them had was incredibly creative and ideal in the sense that each of them kept pushing the other to raise the levels of their respective arts. This lavish edition (aizōban) is an investment in ensuring the continuance of Taniguchi’s legacy.

I believe that his experience of co-creating with Sekikawa and Marley Caribu [Karibu Mārei, one of the pen names of Old Boy writer Tsuchiya Garon], allowed him to develop his own authorial qualities.

The situation is the same with the artist Kawaguchi Kaiji [known for political and military-themed manga such as The Silent Service].

Furthermore, Sekikawa believed that this work was a big change in “their pictures and staging,” by which they attempted to “shift manga away from symbolic ways that characters were staged, even though that was one of the most important strengths of manga expression”; Taniguchi drew “landscapes that did the talking” and he “considered if they can illustrate the Meiji period with rich, three-dimensional depth by adding meaning to the places in which people live out their daily lives.” It is through the interplay between [Sekikawa’s] comics script and [Taniguchi’s] comics images—the kind of sparring that goes back and forth [between writer and artist]—that they were together able to achieve such a transformation in manga.

Soon enough, with The Summit of the Gods (based on a novel by Yumemakura Baku, serialized in Business Jump from 2000 to 2003), he reached a point where his amazing technique could allow him to shape the story construction through his powerful renderings of its snowy landscapes.

The creative combination of Taniguchi and Sekikawa began with their teaming up for the 1977 Go!

In 1985, they came with 'Kaikei Shuten' ('Hotel Harbour View').

Taniguchi Jirō and His Gekiga Years

Features

Natsume Fusanosuke | January 19, 2023

“Taniguchi Jirō shiron, dai-ikkai: Taniguchi Jirō to gekiga no jidai”
From The Taniguchi Jirō Collection 11: Kamigami no itadaki (Shūeisha, 2022)

Translators' Introduction

Although Taniguchi Jirō passed away in 2017, his work continues to be of great interest in Japan, in Europe, and here in North America.

Taniguchi took the lead among all those artists, and, around the year of 1980, when gekiga began to fall out of favor, Taniguchi found a way to survive even after so many other similar artists disappeared from the scene.

jirô taniguchi manga

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Kodoku no Gourmet

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ONA, 2017

1443201711290000016.19

6.19

 

1,443 Members

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